Akin Vitrine Galleries + Kyle Yip

We are delighted to introduce our current Akin St. Clair Vitrine Gallery artist, Akin Ossington artist Kyle Yip. Kyle's work will be on exhibit in our galleries beginning at 1747 St. Clair Avenue West for the month of February and then 1485 Dupont for the month of March.

“The following body of work are exact replicas of visual art conceived and produced during the rapid-eye movement dream state of the artist. While the purpose of dreams are not completely understood, psychoanalysts believe they are the manifestations of our deepest desires and fears. They are the direct expression of imagination and utilize the most efficient language of symbolism and mythological archetypes.” - Kyle Yip 

In Gestalt therapy, Fritz Perls describes dreams as projections of the parts of ourselves that have been neglected, rejected, or suppressed. Carl Jung added that every person in the dream may represent an aspect of the dreamer, which he called the existential approach to dreams. Perls went to far as to say that even inanimate objects in the dream may represent aspects of the dreamer. Through association, the dreamer would be asked to imagine being an object in the dream and describe its characteristics, bringing into awareness the more disaffected aspects of the dreamer's personality. 

Kyle Yip is an award-winning, internationally recognized, critically acclaimed visual artist based in Toronto. He is known not only for his Juno Award Nominated debut album for best 'Electronic Album of the Year’ from the 45th Annual Juno Awards in 2016, but also his international exhibitions in New York, Vancouver and South Korea.

Sewer
Mixed Media
30 x 22 1/2”
2019

Moonbeam
Mixed Media
30 x 22 1/2”
2019

Pepto-Abysmal
Mixed Media
48 x 36”
2016

To contact the artist:
Instagram: @kylepyip
#Akinvitrine
www.kyleyip.com

Akin Collective + Akin Projects are excited to present our 2020 programming in two Vitrine Galleries located at Akin St. Clair and Akin Dupont. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at St. Clair and second month at Dupont. For more information about our artists and our programming, join us on Instagram @akinvitrine.

Kyle’s work will be on view for the month of February in our St. Clair Avenue West Akin Vitrine Gallery, 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

The exhibition will then travel to the Akin Dupont Vitrine Gallery where it will be on view for the month of March. Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

Art by OCAD U Students and Grads Now Available Online

“There’s an economic insecurity that artists feel in Toronto.”

— Hana Elmasry via BlogTO

OCAD University has partnered with Partial Gallery to launch OCAD U Artist Showcase, an online market with more than 270 curated pieces by 24 students and graduates. Pieces are available for rent or purchase at affordable prices.

Partial is an online service that launched in 2016 with the aim of connecting artists with buyers at affordable rates. Consumers can rent an artwork for up to three months and if they decide to keep it, rental payments are deducted from the sale price. This allows customers to see how a piece looks in their space before making a long term commitment.

"This opportunity not only connects emerging artists with potential buyers excited by new works, but also demonstrates how affordable owning original art can be to a whole new group of prospective art collectors,” Partial Gallery’s co-founder, Tammy Yiu Coyne, said in a statement.

This benefits the artists and consumers as selling online is a way for artists to sustain themselves and for buyers is a chance to buy something more unique than a mass-produced piece from a furniture store.

Akin at the Artist Project

Akin at the Artist Project | February 20-23, Better Living Centre, Exhibition Place

Akin Projects invites you to join us at the 2020 edition of Artist Project Toronto. Akin is excited to join this year's Artist Project as the non profit partner. In our booth, visitors are invited to view new work by a handful of our current members, learn more about our services and the many ways we offer support for artists.

Show Hours:
OPENING NIGHT - Thursday, February 20, 7-11pm

Friday, February 21, 11am - 10pm

Saturday, February 22, 11am - 8pm

Sunday, February 23, 11am-6pm

This year, the Artist Project turns 13 with its most exciting show yet and we can't wait to be a part of it! From collectors and curators, to gallerists and designers, visitors can explore and discover works of art from over 300 top contemporary artists from Canada and abroad.

This year, visitors you can view and interact with new works by members of Akin's community in Akin's non profit partner booth. Artists will be on site throughout the show to discuss their work and answer your questions.

Exhibiting Artists:
Antonio Pendones
Dalia Hassan
David Fredrik Moussallem
Foot-to-Face
Janet Hinkle
Jill Smith
Kim Kermode
Laura Kay Keeling

Accessibility Information:
The Artist Project is committed to excellence in serving all customers including persons with disabilities.The Better Living Centre is an accessible venue. It has a step free access to the building and is level throughout. A limited number of assisted devices are available onsite at the information desk for those who need them. Service animals are allowed into all areas of the event that are open to the public. Artist Project is happy to offer a complimentary admission pass for the support person of a person with a disability.

Winter Art Crawl - DesignTO Stops

Sometimes it’s all sunshine and rainbows and other times Toronto slingshots from Fall-like weather to a mid-winter blizzard overnight. This tricky weather occasionally affects Akin’s programming like today’s scheduled Winter Art Crawl. That being said, if any art crawl had to be cancelled due to weather conditions this created the perfect opportunity for folks planning to attend today’s event to create their own DesignTO Festival crawl over the next week.

DesignTO Festival is Canada’s leading (and largest) annual design festival that celebrates design as a multidisciplinary form of creative thinking and making, with over 100 exhibitions and events forming Toronto’s design week, January 17-26, 2020. Since 2011, DesignTO has been bringing communities together to celebrate design, by taking art and design out of the studio and into the urban realm.

Akin’s 2020 Winter Art Crawl consisted of 5 stops in Toronto’s Queen Street West and Ossington area, but you don’t have to stop there! The DesignTO Festival spreads across the city featuring many exhibitions, pop ups, window installations and more. Visit the festival’s website for full details and locations of all of this year’s projects.

We recommend checking out the following stops that would have been featured during today’s art crawl along with a few other notable pop ups.

Image Source: DesignTO Festival. Can’t Say Nothing (Lorem Ipsum, Moving Patterns).

Can’t Say Nothing (Lorem Ipsum, Moving Patterns)

Where: Artscape Youngplace, 180 Shaw Street, Toronto

Project Type: Exhibition

Dates: January 17-31, 2020

Using Lorem Ipsum text and the Photoshop background, ‘Can’t Say Nothing’ by Janina Anderson, turns signifiers of blankness into overlapping patterns, which are printed, mounted and stitched together. ‘Can’t say Nothing’ is a mixed media installation drawing from textile art, collage, painting, graphic design and sculpture. ‘Can’t say Nothing’ investigates the way systems of language, symbols and design affect meaning, and wonders: if even the expression of absence is so heavily coded, is it possible to express oneself without external mediation, and to what extent is it possible to truly “say nothing” at all?

Dying.exhibits

Where: Artscape Youngplace, 180 Shaw Street, Toronto

Project Type: Exhibition

Dates: January 12 - February 1, 2020

Dying.exhibits’ is an exhibition series on end of life, inviting participants to think about their relationship with life and death as a process; encouraging heart-level conversations about difficult, often taboo topics. By holistically engaging with life, including death, ‘Dying.exhibits’ becomes a catalyst for unpacking the uncomfortable. The exhibition serves as an opportunity to engage with diverse perspectives and participate in open discussion about death and dying through engaging art and design works and participatory experiences.

During DesignTO there will be several events under the ‘Dying.’ series, featuring work by Akin MOCA artist Laura Kay Keeling and Akin Alum David Salazar, with an opportunity to visit exhibits across Toronto. ‘Dying.’ is a collaboration between the Health Design Studio at OCAD U and Taboo Health.

Daydream Under the Penny Vine

Where: gh3*, 55 Ossington Avenue, Toronto

Project Type: Window Installation

Dates: January 14 - February 2, 2020

Sylvia Lee, glass designer and Creative Director of Jeff Goodman Studio is launching her first lighting product at DesignTO 2020. Titled the ‘Penny Vine’, this piece is a luminescent wall installation inspired by the humble copper penny and a silver coin vine, a favorite succulent houseplant.

The wall mounted system comes in various size is available in multiple lengths or ‘strands’ of lights which are cantilevered on delicate copper vines. Each ‘leaf’ is an illuminated opal glass circle with subtle copper edging. For the DesignTO 2020 exhibition, Lee chose a colour palette of leaves in delicate greens and pinks.

“For my inspiration, I’m always fascinated by vernacular, obsolete objects. The Silver Coin Vine plant started a thought process about coins and specifically pennies, which are not used anymore. I envisioned this copper strand light with simple, coin shaped leaves.” says Lee of her design. The theme of obsolete objects continues from her work in past exhibitions which were inspired by simple paper file folders and an abacus.

She goes on, “I wanted this to be scalable for designers and architects to be able to layer and have vines project into their space. For this DesignTO installation, I chose a subtle palette, but we could layer infinite glass colours into any configuration.”

‘Daydream Under the Penny Vine’ also includes a translucent, hand carved Temple Glass bench lit from the inside, a cast glass architectural product produced by Jeff Goodman Studio. Passersby will come upon a small glowing bench under a magically lit strands of illuminated leaves. Lee says, “I want viewers to experience a moment of departure in their urban commute.”

Image Source: DesignTO Festival. (AI) - Aesthete’s Items.

(AI) - Aesthete’s Items

Where: gravity pope, 1010 Queen Street West, Toronto

Project Type: Window Installation

Dates: January 17-26, 2020

‘(AI) – Aesthete’s Items’ is founded on the philosophy that beauty must be expressed and shared commonly. It should not be reserved for a limited circle of initiates, but rather be a part of our daily lives in the form of everyday objects.

Yaw Tony’s artistic practice is deeply rooted in use of colour and its connection to humanity. His artistic oeuvre has shifted from narrative art, into experimental research on the value of colour and its impact on human behaviour. The value determines the worth and worth determines the significance of each colour.

Yaw Tony’s approach to aesthetics and beauty is an intriguing invitation to explore an eclectic, colourful, language. His work draws viewers into a resplendent world of visual journeys where artistry and character go hand-in-hand. The majority of his artwork is on 100% silk or natural fabrics, the aesthetic and design concepts are influenced by the sophisticated details of African adages, combined with elements from western culture. It is the “gameo” – “gem” – “marriage”, the fusion of two distinct elements into one. All the patterns, motifs and details are hand drawn, painted, and then transferred into colour to give them form — this is when the stories come to life. The scarf collection is the first stage in a larger series of applications for the Life Liveth brand, whose maximalist aesthetic is then applied to furniture, wallpaper, decorative items, textiles, art prints and installation and so much more.

Yaw Tony breaks all colour rules to define all colour rules. He strongly believes that all colours complement each other, one just has to know what they are doing. Take a look at nature, it consists of many colours at a given time and they all work beautifully.

Image source: Erin Candela. Installation view of Akin MOCA artist Emmie Tsumura’s work at CUTMR20.

Come Up to My Room

Where: Gladstone Hotel, 1214 Queen Street West, Toronto

Project Type: Exhibition

Dates: January 16-19, 2020

‘Come Up To My Room’ (CUTMR) is an annual 3-day alternative design exhibition created and produced by the Gladstone Hotel. Art and design intersect, with the historic hotel becoming a platform for site-specific installations. Visitors can explore, discover and engage in conversation with the artists. Different from our 37 permanent artist-designed hotel rooms, CUTMR presents temporary projects that occupy and alter spaces in dramatic, conceptual, or experimental ways.

Artists are selected based on their body of work, not on detailed proposals, and they are invited to challenge themselves and try new things in this unconventional setting.  This model allows for the evolution of ideas, risk-taking and an element of surprise. Participants use art and design to converse, connect, collaborate and construct delight in the unexpected.

Projects are presented by individuals, collectives, and multidisciplinary teams.

Image source: MUKË

Other notable 2020 DesignTO Festival projects include:

Design Collection @ stackt (IN RESIDENCE)

Where: stackt market, #1-112, 28 Bathurst Street, Toronto

Project Type: Exhibition

Dates: January 17-26, 2020

During the festival, local design duo MUKË (Akin co-director Michael Vickers and Akin co-founder Michael Dellios) will move the contents of its studio (furniture, plants, pets, maquettes, materials and more) into a shipping container at stackt — enveloping it as a site to showcase new and recent work, but also inviting visitors to engage directly with our process, the practices of our Toronto peers, and one another through live programming.

100 Vases

Where: The Shop, 1485 Dupont Street, Toronto

Project Type: Exhibition

Dates: January 24-25, 2020

‘100 Vases’ is inspired by the possibilities presented when objects come together, and the dialogue that happens between them. Spearheaded by ceramicist Michelle Organ, and artist and designer, Dasha Valakhanovitch, the two day event is a showcase of diversity in contemporary clay design, featuring work by Akin MOCA artist Erin Candela.

Future Retrospectives

Where: Harbourfront Centre, Artport Gallery, 235 Queens Quay West, Toronto

Project Type: Exhibition

Dates: January 17 - March 29, 2020

‘Future Retrospectives’ is a group exhibition featuring the work of eleven local and international artists and designers, including Akin Ossington artist Jessica Thalmann, unified by a shared methodology: using the past as a lens through which we imagine the future. It asks, “what will the future look like, and how did we get there?”

Light is Magnetic

Where: ergoCentric Showroom and Store, 37 King Street East

Project Type: Window Installation

Dates: January 17-26, 2020

Light is energy. It encompasses a spectrum of electromagnetic radiation much of which exists beyond our visible experience. This is the light that can not be seen manifest in radio waves, infrared, ultraviolet, x-ray and gamma rays. “My art is inspired by the physics of light as I seek to find ways to portray energy. ‘Light is Magnetic’ is an exhibition that brings together my recent experiments in light sculpture. It will include sculptures that integrate light or reflective elements with other conceptual pieces that explore the connection between light and energy.” - Akin MOCA artist, Tonya Hart

The Sky is Falling

Where: Knife Fork Book, Mezzanine, Artscape Youngplace, 180 Shaw Street

Project Type: Exhibition

Dates: January 17-26, 2020

Visual artist, designer and poet Jessica Hiemstra of Akin Lakeshore creates an abstracted paper sky on the ceiling of Toronto’s only all-poetry bookstore, Knife Fork Book. Using watercolour paper, thread and washes of Genzäh Handmade Watercolours paint, Hiemstra’s sky is one that is torn and sewn back together. This sky has tangled stitching, punctures, long dangling threads, and fragments of poetry sewn into it. Independent bookstores and especially those that specialize in theatre, poetry, music and art are becoming rarer and rarer. Knife Fork Book is an ephemeral place. It continues to exist because its sky continues to be held together by delicate threads.

Come Up To My Room - Emmie Tsumura

There are only a couple of days left to check out Come Up To My Room at the Gladstone Hotel, featuring Akin MOCA member Emmie Tsumura!

The historic spaces of the Gladstone Hotel come alive with site-specific art and design installations! Walk into a universe of art and design at Come Up To My Room (CUTMR) 2020, the Gladstone Hotel’s annual 4-day alternative design exhibition running from January 16-19. Find out what happens when art and design intersect through site-specific installations, within the walls of a historic hotel. Visitors can explore, discover and engage in conversation with the artists on site throughout the festival. Different from our 37 permanent artist-designed hotel rooms (some of which will also be on display!), CUTMR presents temporary projects that occupy and alter spaces in dramatic, conceptual and experimental ways.

CUTMR is curated by artist, not project, giving artists the opportunity to take risks and explore their wildest dreams! Nobody (including the curators) will know what the exhibition will look like until it’s installed the day before!

Emmie Tsumura, an Akin MOCA member, is a multidisciplinary artist and graphic designer. She explores the boundaries of communication, and the intersections of diasporic memory, consumption & the human condition. 

Light is Magnetic - Tonya Hart

Light is Magnetic

Jan 17 – Jan 26 2020

“Light is energy. It encompasses a spectrum of electromagnetic radiation much of which exists beyond our visible experience. This is the light that can not be seen manifest in radio waves, infrared, ultraviolet, x-ray and gamma rays. My art is inspired by the physics of light as I seek to find ways to portray energy. ‘Light is Magnetic’ is an exhibition that brings together my recent experiments in light sculpture. It will include sculptures that integrate light or reflective elements with other conceptual pieces that explore the connection between light and energy.” - Tonya Hart, Akin MOCA artist

Traverse waves of electric and magnetic fields are the dynamic forces that make up light. In this sculpture they are called loops or static light. The light that is incorporated into these works serves to illuminate energy and the dynamic pathways of electric and magnetic fields. Magnetic fields are, by their nature, invisible yet abound in our natural and artificial environment through the earth’s constant geomagnetic presence and barrage of technology, cell phones and personal devices that all emit magnetic fields. Recent advances in science have deepened our understanding of magnetism to embrace radical geometries and dynamism as the language of nature and technology.

Image source: DesignTO

‘Light is Magnetic’ exhibition will showcase works that animate magnetic fields and explore alternate geometries in a solid, static state. Sculptures in the exhibition will include variations of ‘Static Light’ that debut in the Venice Biennale of Architecture 2018.

This project is part of the King East Design District (KEDD). Several receptions, talks, and events will be happening for KEDD Night on Monday, January 20, 6-9pm.

Tonya Hart studied at York University in Toronto and received her Bachelor of Fine Arts, Visual Arts degree in 1998. Her artwork draws inspiration from nature, science and light with a focus on portraying magnetism. Nature and magnetism have manifest in a vast array of articulations in her artwork and continues to facilitate the conceptual nature of her work.

HOME – Group Exhibition

The Artists’ Network Gallery is starting the new year and warding off the post holiday blues with its HOME – Group Exhibition. Imagine walls of art emulating coziness, comfort and warm hues. Captured in the Danish word Hygge (to hug) to appreciate the small, calming pleasures of home.  The Gallery is exhibiting the work of Artists’ Network members or non-members, including Akin River member, Andrea Bailey, that cast a warm glow of quietness after the hustle and bustle of the holiday season.

HOME Group Exhibition: January 15 to February 2, 2020.

Opening reception: Thursday, January 23, 2020, 6-9 pm.

Quiet Vignettes, Anahita Azrahimi Presented with DesginTO

“I feel like I am trying to gently nudge these fragments to come together - a reflection of my inner world at the moment.”

— Anahita Azrahimi on 'Quiet Vignettes'

quiet vignettes
Jan 17 – Jan 26 2020

A collaboration between a collage artist and a floral designer, ‘quiet vignettes’ combines both practices to create a subtle — almost evanescent — experience of a balance and poised marriage of two art forms. Both artists have responded to the other in a mirrored reaction to their work. The first, a series of understated folds and creases that evoke a sense of quiet energy. The second, a presentation of evocative foliage. Though different, the pieces mix and meld into a balanced and graceful dance. The result is an intimate spatial installation. One that nudges you to slow down and pay attention — and to reflect the unassuming authority of a unique and unexpected bond.

Anahita Azrahimi, an Akin Lansdowne alum, is a collage artist and cultural producer. In her role as the Executive & Creative Director of Toronto Outdoor Art Fair, Canada’s largest contemporary outdoor art fair since 1961, Azrahimi thrives in making joy of art and direct engagement with artists accessible to all public. Azrahimi is equally passionate about creating her own moments of art.

“The works that I have created for this show are subtle collages of folds and creases that evoke a quiet movement and energy. There is a simplicity and understated quality in these works that I find deeply gratifying and calming. Fine hand-sewn stitches have replaced my previous drawings. I feel like I am trying to gently nudge these fragments to come together - a reflection of my inner world at the moment.

I have invited Lauren Wilson of Timberlost Designs to mirror the works with evocative and poetic foliage vignettes. Lauren’s creations are soulful and deep. We will create a subtle — almost evanescent — experience of a balanced and poised marriage of our practices. With this intimate spatial installation, the vision is to create a moment that nudges you to slow down and pay attention — and to reflect the unassuming authority of a unique and unexpected bond.” - Anahita Azrahimi

"Time for Toronto to decide whether it wants to keep its artists" - Andrew Kennedy via the Toronto Star

Last week we were pleasantly surprised to read a very relevant and honest opinion piece in the Toronto Star by Akin Dupont member Andrew Kennedy. Continue reading for a brief excerpt or click the link at the bottom of this post for Kennedy’s full article.

In speaking about the modern ways of urban development and gentrification, the esteemed writer Fran Lebowitz once said “we do not like cities because they are noisy, crowded and dirty. We like them because they are interesting.”

I would wager a small sum that anyone of a certain age who’s lived in the city of Toronto for a good amount of time would agree with Lebowitz’s sentiment. And if we take her statement to be true, then this year’s Art Stats report from the Toronto Arts Foundation should provide a warning that the City of Toronto could be sliding towards a less interesting existence.

According to the report, 80 per cent of Toronto’s artists believe they cannot make a living wage and 73 per cent have thought about leaving the city. In other words, if artists in Toronto were creatures from the animal kingdom, they might be in danger of trending towards the endangered species list.

Future Retrospectives featuring work by Jessica Thalmann

‘Future Retrospectives’ is a group exhibition featuring the work of eleven local and international artists and designers, unified by a shared methodology: using the past as a lens through which we imagine the future. It asks, “what will the future look like, and how did we get there?”

Creative acts are, by their nature, future-oriented. Creativity brings to fruition that which did not previously exist and, in doing so, builds the future. What is this future-world that we are building? What does it look like and how does it work? How do we prepare for it? ‘Future Retrospectives’ proposes that in order to have a meaningful understanding of relationships in the future and our role in them as creators of material culture, we have to look at how the past, present, and future are interconnected. By considering the past, we are able to holistically imagine the future.

The exhibition features the work of Graysha Audren, Mia Cinelli, Hannah Claus, Cassandra Ferguson, Tsēmā Igharas, Andreas Krätschmer, SHATTERED MOON ALLIANCE, Studio Björn Steinar, Adhavan Sundaramurthy, Sage Szkabarnicki-Stuart, and Akin Ossington member, Jessica Thalmann.

This exhibition is curated by DesignTO, and co-presented with Harbourfront Centre. It is generously supported by Lemay. Thank you to our external jurors Farah Yusuf and Melanie Egan.

Participants
Graysha Audren, Mia Cinelli, Hannah Claus, Cassandra Ferguson, Tsēmā Igharas, Andreas Krätschmer, SHATTERED MOON ALLIANCE (Christina Battle and Serena Lee), Studio Björn Steinar, Adhavan Sundaramurthy, Sage Szkabarnicki-Stuart, Jessica Thalmann

Remembering Akin Lansdowne - a personal memorial by Jen Pilles

I moved to Toronto fresh out of art school. I had a degree in Illustration, a tiny bit of savings, and no knowledge whatsoever about the city or how to live in it. Navigating the art world was overwhelming - and living in Toronto was thrilling, but alien. I had trouble knowing how or where to meet new friends, not to mention colleagues and clients. I was unsure how my art fit in, which opportunities to engage with, or what resources were available. I did not feel sure of myself, and I did not feel at home.

It wasn’t until I found Akin Lansdowne that I started to thrive as an artist and feel like I was part of a real arts community. From when I joined Akin Lansdowne in 2013 until I left in 2018 I found myself connected to a group of artists and peers in ways I never expected. I not only made new friends but I also developed professional relationships - finding mentors, clients, and professional development opportunities.

Tucked away at the quiet intersection of Wade Ave and Paton Road right beside the train tracks ,I fell in love with 87 Wade Ave the first day I visited. It is an unassuming building full of character. I loved the creak of the floorboards, the smell of the wood and the coffee roasting downstairs at Alternative Grounds (another tenant that had to leave the building due to an unmanageable rent increase). I found the meandering corridors and the soaring ceilings romantic and inspiring. Within the studio space itself I felt cozy, comfortable and inspired. My studio was small, but it was all I needed to create.

My first studio space at Akin Lansdowne in 2013 - it was 36sf

I expanded my studio in 2017 to 80sf

Over time I started developing a studio practice and meeting my studio mates and getting involved with Akin events and programming. We saw so many incredible events come through our space. From intimate gatherings for artists to show and share their work, to large public parties, fun creative crafting workshops and more. Some of my favorites were the Earth Day Community Cleanup where a bunch of us gathered at the studio and then cleaned up the neighborhood, and the Akin Skillshare Series of workshops where artists and creative business owners met in the studio space to share skills and resources. I also loved it when some of us got together to paint the Akin Lansdowne Art Library and fill it with donated books.

Here are some photos I have collected over the years:

Before and after: painting the Akin Lansdowne Art Library together!

The studio all decked out for a celebration

My studio mate and friend Samar Hejazi explaining her work in her studio at an Akin Show and Tell event

One of the many wonderful pot luck feasts we hosted in the studio kitchen

The first big open studio event at Akin Lansdowne

The crowd gathering outside the studio for our Earth Day Community Clean Up

Unfortunately, like so many other creative spaces in Toronto, Akin Lansdowne will be closing it’s doors in January 2020. Gentrification has set in and the rent prices in the building have sky-rocketed. Akin cannot afford to keep renting space in the building, so Akin Lansdowne will be no more. I will forever be grateful for my time spent in that space - creating, thinking, mingling, learning, eating, laughing, listening and playing.

Thankfully Akin has worked closely with the artists to relocate them to other Akin studios - so the community has not dissolved but just dispersed to other Akin locations. Akin has many amazing locations - each with their own charm, but Akin Lansdowne will forever be my favourite and hold a special place in my heart. It was my home away from home, my workshop, my office, my peaceful place. I want to thank everyone who made Akin Lansdowne a magic place: the Akin staff, the studio mates who came and went over the years, the studio dogs who kept us company, the neighbours in the building who shared space with us, and the residents and businesses in the neighbourhood who were a part of our larger community. Thank you all from the bottom of my heart!

There will be an Akin Lansdowne Farewell Party on January 31, 2020 at from 8PM until late for those who wish to honour Akin Lansdowne’s legacy by celebrating together. Stay tuned to Akin (social media, newsletter, this blog) for more information!

About the author:
Jen Pilles is a freelance illustrator, graphic designer, plein-air painter, self-publisher, and emerging comic artist. After joining Akin in 2013 as a member she began working for them in 2015. After 3 years of experience as a studio manager at 5 of Akin’s locations (Lansdowne, King, Ossington, Richmond and MOCA) she now serves the Akin community as the Studio Operations Manager. www.jenpilles.com

'Tis the season for gifting!

Still on the lookout for that perfect gift for your sibling, friend, or studio mate? Look no further! Akin has you covered this year with gift certificates that can be applied to both shared or dedicated studios spaces at any of Akin's locations (excluding studio residency programs) and at Akin's REMOTE Gallery. You choose the value and the certificate never expires, great for now or planning for the new year!

This year you can also opt to donate a gift certificate of any value to Akin's Rent Relief Fund to help a local artist in the future.

In collaboration with Rania El Mugammar the Akin Studio Rent Relief Fund has been established by Akin Projects to provide current Akin artists and creatives with anonymous, one time emergency grants of $150 - $300, in hopes of offering short term financial aid towards one month of studio rent in unexpected situations or times of financial instability.

This unique fund has been launched as part of our ongoing Equity and Inclusion work at Akin, including our recent demographics survey report - which highlighted the needs and experiences of our community. We intend for the Akin Studio Rent Relief Fund to reduce barriers for Akin studio members and create opportunities for marginalized communities. Applications will be accepted on an ongoing, as needed, basis when funds are available. The fund will officially launch once we have raised $3,000. We have currently raised almost 50% of our launch goal!

Ideas Forum: Materializing the Future

‘Ideas Forum: Materializing the Future’ features seven fast-paced and fun presentations (20 slides shown for 20 seconds each) exploring the themes and questions from DesignTO’s exhibition ‘Future Retrospectives’ with a focus on materiality.

Discover the process behind educator David Correa’s (University of Waterloo) exploration on innovative material fabrication methods and Lauren Abrahams’ (Public Work) research on terrazzo. Educator Kazmy Chi (Universidad de Monterrey, Mexico) speaks about her research into biomimicry and how biomimetics can create sustainable materials for the future.

Founding partner of gh3* Pat Hanson speaks about her work on the Borden Park Natural Swimming Pool in Edmonton, while artist and curator Jessica Thalmann of Akin Ossington shares her process of reconfiguring iconic Brutalist buildings through folded sculptural forms. Quadrangle's Richard Witt discusses heavy timber construction through case studies of built work, and Chris Pommer speaks about material memory through the work of the interdisciplinary studio PLANT.

One Tender Night by Akin Lakeshore's Jessica Hiemstra!

One Tender Night

Thursday December 5th at Super Wonder Gallery

Poetry and visual art by Jessica Hiemstra with an electrifying performance by SPECIAL GUEST singer/songwriter, Nicky Lawrence.

FREE ADMISSION. CASH BAR.
Original art, books and music for sale.

All are welcome.

ABOUT THE ARTISTS

JESSICA HIEMSTRA of Akin Lakeshore is an award winning multi-disciplinary artist whose work has appeared in galleries all over the world, among them Australia, Sierra Leone, Edmonton and Vancouver. She is also an accomplished showroom artist and set designer with experience creating everything from tidal waves using shims to giant iridescent octopuses. She likes using reclaimed house paint, discarded objects and single-use plastic. Since 1998 Jessica has published three full-length collections of poetry and edited numerous anthologies of poetry and creative non-fiction. Jessica likes what Paul Klee once said about art – that one eye sees, the other feels. Jessica works in a variety of mediums on many kinds of surfaces - from watercolour and thread on paper to acrylic on acetate to plastic bags sewn into canvas. One of the things people often ask Jessica is “what’s the difference between all the things you do?” Jessica doesn’t distinguish much between her mediums. She chooses the best medium for exploring whichever question, concern or exaltation is most pressing to her in the moment - from delight in the body to sorrow and anger at how poorly we care for our world and each other. Sometimes she uses words, sometimes pencils, sometimes paint. In 2019 she started tearing her paintings and stitching them back together. She is delighted to be presenting her most recent work for ONE TENDER NIGHT at the Super Wonder Gallery. To visit Jessica online: www.jessicahiemstra.ca

NICKY LAWRENCE is a moody, tender, tour de force of a performer and vocal artist. Moved to sing by the black women who sang before her and who continue to sing within her, Lawrence’s voice will grab you by the throat with the force of its pain, beauty, rage and ultimately—love. Brimming with the longing, courage and despair of her jazz and blues heroes—Nina, Etta, Ella—Lawrence’s original songs are devastatingly elegant and sensual, lit by the fires of the past alongside the aching light and hope of the future. Lawrence’s vocals are redemptive; with the release of her single, The Ugly Black Woman, Toronto audiences are invited to witness an excavation of truth and history that will cut the heart open and begin to heal us all. Follow Nicky online here: thenickylawrence

Furoshiki - Opens Saturday!

SAMARA Contemporary in collaboration with Kid Icarus, are pleased to announce Furoshiki, A group exhibition that will feature the works of 20 artists working with the theme: “Gifting”. Furoshiki wrap is an eco-friendly alternative to traditional wrapping paper.

Where: Samara Contemporary, 156 Augusta Avenue, Toronto

When: Saturday, November 30th, 12-6pm

Every holiday season more than 8 million tons of gift-wrap ends up in landfills. Disposable and chemically processed, this waste is destroying our environment. Furoshiki can be re-used, passed on from one gift receiver to the next.

Cloth wrapping has been used for over 1200 years in Japan. The word Furoshiki came about during the Edo period (1603-1868) when cloths were commonly used in bathhouses to wrap clothes or as bath matts. Today, Furoshiki can be used to wrap gifts, wine bottles, books, groceries, or just about anything!

This year and onward present your special gift enveloped in beautiful art created by some of Canada’s
top illustrators and artists! An environmentally ethical and unique option to gift giving!

Participating artists:
Daniela Roessler, Dave Setrakian, Fiona Smyth, Flips, Akin Ossington alum Jenn Kitagawa, Jill Holmberg, Jimmy Chaile, Akin Sunrise artist Jieun June Kim, Justin Broadbent, Akin Ossington alum Kendra Yee, Kirsten McCrea, Luke Parnell, Happy Sleepy, Marijke Bouchier, Mariko Paterson, Mike Ellis, Orbital Arts, Rachel Joanis, Santiago Paredes, Trio Magnus

Akin Vitrine Galleries + Nicole Crozier

We are delighted to introduce our current Akin Vitrine Gallery artist, Akin Ossington artist Nicole Crozier. Nicole’s work will be on exhibit in our galleries beginning at 1485 Dupont for the month of November and then 1747 St. Clair Avenue West for the month of December.

Nicole Crozier is a Toronto-based visual artist and arts manager. Her work surrealistically explores the animate potential of accessories and decoration in relation to the female body. She aims to cultivate an aesthetic that is simultaneously seductive and unsettling as a means of investigating the overlap between desire, fantasy, identity, and self-image.

Bordering on the baroque, “Beckon” is a painter’s experimental foray into sculptural installation. The work plays with our magpie-like attraction to bright, reflective objects, promising delights with outstretched, inviting gestures, but from incorporeal hands surreally disassociated from reality. These hands, reminiscent of mannequin models positioned in storefront windows, are slowly being consumed by ornaments once meant to decorate them in a shrine-like ode to the power of the display. “Beckon” insists on seduction while highlighting the dangers of desire, utilizing the disembodied hand as a means of creating a point of association as well as disconnect with the viewer. It simultaneously invites and threatens, beckons and repels, offers promise and yet leads nowhere.

Beckon
Mixed Media
Dimensions Variable
2019

To contact the artist:
Instagram: @nicolebcrozier
#Akinvitrine
www.nicolebcrozier.com

Akin Collective + Akin Projects are excited to present our 2019 programming in two Vitrine Galleries located at Akin Dupont and Akin St. Clair. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at Dupont and second month at St. Clair. For more information about our artists and our programming, join us on Instagram @akinvitrine.

‘Beckon’ will be on view for the month of November in our Dupont Akin Vitrine Gallery, located in the Clock Factory Building at 1485 Dupont Street (entrance on Campbell Avenue). Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

The exhibition will then travel to the Akin St. Clair Vitrine Gallery and be on view for the month of December at 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

Don Valley Art Club Annual Fall Group Show
November 20- December 1st at Papermill Gallery.

David Johns is an Akin Sunrise member and has a silkscreen monoprint “You Make Me Happier” in the Don Valley Art Club Member group Show.
www.roadartcollection.com
instagram.com/davidopenroad

One Tender Night at Super Wonder Gallery

Thursday December 5th at Super Wonder Gallery

Poetry and visual art by Jessica Hiemstra with an electrifying performance by SPECIAL GUEST singer/songwriter, Nicky Lawrence.


FREE ADMISSION. CASH BAR.
Original art, books and music for sale.
All are welcome.

Jessica will be raffling off tickets for a beautiful piece of art called The Secret Foot, find out more here.

About Jessica Hiemstra
Jessica is an award winning multi-disciplinary artist whose work has appeared in galleries all over the world, among them Australia, Sierra Leone, Edmonton and Vancouver. She is also an accomplished showroom artist and set designer with experience creating everything from tidal waves using shims to giant iridescent octopuses. She likes using reclaimed house paint, discarded objects and single-use plastic. Since 1998 Jessica has published three full-length collections of poetry and edited numerous anthologies of poetry and creative non-fiction. Jessica likes what Paul Klee once said about art – that one eye sees, the other feels. Jessica works in a variety of mediums on many kinds of surfaces - from watercolour and thread on paper to acrylic on acetate to plastic bags sewn into canvas. One of the things people often ask Jessica is “what’s the difference between all the things you do?” Jessica doesn’t distinguish much between her mediums. She chooses the best medium for exploring whichever question, concern or exaltation is most pressing to her in the moment - from delight in the body to sorrow and anger at how poorly we care for our world and each other. Sometimes she uses words, sometimes pencils, sometimes paint. In 2019 she started tearing her paintings and stitching them back together. She is delighted to be presenting her most recent work for ONE TENDER NIGHT at the Super Wonder Gallery. To visit Jessica online: www.jessicahiemstra.ca
Jessica is an Akin Lakeshore member.
instagram.com/jessicajoyhiemstra

About Nicky Lawrence
Nicky is a moody, tender, tour de force of a performer and vocal artist. Moved to sing by the black women who sang before her and who continue to sing within her, Lawrence’s voice will grab you by the throat with the force of its pain, beauty, rage and ultimately—love. Brimming with the longing, courage and despair of her jazz and blues heroes—Nina, Etta, Ella—Lawrence’s original songs are devastatingly elegant and sensual, lit by the fires of the past alongside the aching light and hope of the future. Lawrence’s vocals are redemptive; with the release of her single, The Ugly Black Woman, Toronto audiences are invited to witness an excavation of truth and history that will cut the heart open and begin to heal us all.
instagram.com/thenickylawrence

University of Waterloo MFA Open Studios | Master of Fine Arts Program

Come check out the University of Waterloo’s MFA program and this year’s cohort at our annual MFA Open Studios on November 7th.

Time: 3:00-7:00 pm
Place: University of Waterloo, East Campus Hall
Address: 263 Phillip Street, Waterloo, Ontario

Participating Students: Jordan Blackburn, Brubey (Wanzhi) Hu, Tyler Matheson, Karice Mitchell, Akin staff member and Akin Dupont Alum Sara Pearson, Akin St. Clair Alum Carrie Perreault, Akin Dupont Alum Kayla Polan, Racquel Rowe, Maria Simmons, and Becca Wijshijer.

A unique opportunity to meet the artists on their own turf—a look at their process and what’s in production.

The Master of Fine Arts (MFA) at the University of Waterloo is an intimate program built around a solid core of studio research, practice, professional development, and pedagogical training. Each year the program admits five students, resulting in a tight knit community with plenty of access to both faculty and resources. The studio portion of the program culminates in the completion, exhibition, and defense of a coherent body of work in a solo exhibition at the University of Waterloo Art Gallery (UWAG). The pedagogical component of the program includes a seminar in course development, two teaching assistantships and the opportunity to teach a foundations level course.

Akin member work for sale at Partial Gallery

Partial is an art marketplace and platform for artists and art-seekers to connect and engage in real and accessible transactions. Thanks to our smart try-before-you-buy options, original work by local artists are just around the corner – and now within reach.

Whether you are a seasoned art collector or a curious art lover, Partial is here to make it simpler to bring true, original artwork onto your walls. You can experiment and explore artwork that speaks to you. Artwork is an investment – so, our rental model allows you to try out a piece for a few months, or express all sides of yourself with rotating artwork.


Many Akin artists sell work via Partial Gallery, you can find the list below.

Adria Mirabelli - Akin St Clair: https://adriamirabelli.partial.gallery/
Anahita Azrahimi: Akin Lansdowne: https://anahitaazrahimi.partial.gallery/
Bianco Roco - Akin MOCA Year 2: https://biancaroco.partial.gallery/
Corynn Kokolakis - Akin River: https://corynnkokolakis.partial.gallery/
Eugenia Elder - Akin MOCA Year 2: https://eugeniaelder.partial.gallery/
Felicia Cirstea: Akin MOCA Year 2: https://feliciacirstea.partial.gallery/
Kyle Yip - Akin Ossington: https://kyleyip.partial.gallery/
Laura Kay Keeling - Akin MOCa Year 2: https://laurakaykeeling.partial.gallery/
Leone McComas Akin MOCA Year 1: https://leonemccomas.partial.gallery/
Linds Miyo - Akin MOCA Year 2: https://wonderandstory.partial.gallery/
Nancy Bennett - Akin alumni: https://nancy178.partial.gallery/
Nicole Crozier - Akin Ossington: https://nicolecrozier.partial.gallery/
Nicole Krstin - Akin Dupont: https://nicolekrstin.partial.gallery/
Walter Segers, Akin River: https://waltersegers.partial.gallery/