Call for Artists! Documentary focused on Environmental Art Activism!

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Artterra is seeking Canadian artists whose work explores the powerful connection between art and environmental activism for an upcoming full-length documentary. The project will delve into how art not only raises awareness but also drives action on critical environmental issues. Whether the approach to activism is subtle or bold, artists with stories to tell are encouraged to apply.

Who Are They Looking For?

Artists from all visual disciplines—painting, sculpture, photography, digital art, and mixed media—are welcome. The focus is on art that delivers a strong environmental message, reflecting both the challenges and beauty of the natural world.

Why Environmental Activism?

In the face of climate change and environmental degradation, art holds a unique ability to influence public perception and inspire real-world action. The documentary aims to highlight how art can raise awareness, build community, and propel the movement toward sustainability.

Why Participate?

This project offers artists an opportunity to have their work showcased globally, alongside compensation for their story rights and an honorarium. Participants will also benefit from:

  • Sharing their story and amplifying the message of their art.

  • Potential speaking opportunities surrounding the documentary’s release.

  • Access to professional photo and video materials for their own use.

 

Image Description: Mural artist Kari Morgan painting a wall in shades of blue and black, with the words “Watch the Teaser” and a play button graphic.

 

For more information and to watch the teaser,
visit artterra.ca

Meet the 2024 Career Launcher Award Winners in their Akin studios

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Image Description: Headshots of Shannon Sandwell and Meera Dinh. The text “2024 Akin Career Launcher Award Recipients”, the Akin and OCADU logos appear on the left hand side above a pink and blue background.

 

As our 2024 OCADU Career Launcher Award winners settle into their Akin studios, we caught up with them to learn a little more about them, and to see what they are working on. 

The Career Launcher award is a collaboration between OCADU and Akin, which gives two graduating OCAD students $2,000 towards Akin studio membership and $450 for a booking at Akin’s Remote Gallery.  This year's recipients of the award are Meera Dinh, who has moved into Akin Richmond-Bathurst, and Shannon Sandwell, settled into Akin Niagara. 

Shannon Sandwell 

Shannon Sandwell is a Canadian figurative painter based in Toronto. Their work focuses on community and connection intertwined with popular and sub-cultural imagery. Using a collage style of painting Shannon’s work creates narratives that exist out of regular time and space to emphasize platonic intimacy and the human desire to be close with one another.

 

Shannon Sandwell sits on a rolling chair in their studio. They have short blonde hair, tattoos and are wearing a white t-shirt and gray shorts with sandals. Behind them, large bright figurative paintings hang on the wall.

 


“I paint large-scale figurative works with acrylic. Collaging references from life and my communities with references from pop/subcultures to create new moments of connection that exist out of time and space while utilizing scale to defamiliarize these moments of platonic intimacy. The scale and cropping of the images in my paintings disorient the viewer- forcing them to engage and seek the connections within the compositions. This act of seeking allows the viewer to feel connected to the anonymous community before them. The collaging of images will enable me to work in complex compositions, steering away from the monolithic individual. I am searching for ways to bring visual sovereignty and joy to figurative work and seeking out ways in which humans seek connection with one another to survive.”

 

Several paintings of Shannons sit against the wall and hang above.

 

“I have been working on a collection of paintings for an upcoming show! It is smaller than most of my work, but I have enjoyed having the space to work on multiple 4' by 3' canvases simultaneously. The studio space to jump from painting to painting has been very helpful.”

 

Shannon Sandwell sits on a rolling chair in their studio. They have short blonde hair, tattoos and are wearing a white t-shirt and gray shorts with sandals. Behind them, large bright figurative paintings hang on the wall.

 

“I am very neurotic about using a fresh palette. I use only the primaries plus white and mixed while painting. This requires me to constantly reset and start fresh after my palette has gotten wild. Another ritual for my work is documenting community when I find myself in it. Constantly using my phone to take reference photos on the go. I am also asking consent of those in my communities that I end up photographing for paint reference.”

Find more of Shannon’s work here

Meera Dinh 

Meera Dinh is a Vietnamese artist based in Toronto who specializes in oil painting. Her work delves into the complexity of female identity, transforming personal and external experiences into dynamic compositions rich with intimacy, eroticism, and transformation.

She completed her Honours BFA in Drawing and Painting at OCAD University in 2024.

“My work explores the deep connection between the soul and the psychological challenges that come with being in a female body. I’m fascinated by how these forces shape identity and the constant struggle to understand my own nature. My oil paintings focus on capturing that in-between space—the line between the conscious and subconscious mind—by blending personal symbols, memories, and a touch of the erotic.

 

Meera Dinh sits on a chair inside her studio. Meera has long black hair and is wearing blue jeans and a black and brown floral tank top. Beside her is a large easel holding a circular canvas. Behind her are drawings posted to the walls. The large window in her studio looks out to a cityscape. Books rest on the windowsill.

 

I often pull from my subconscious, letting spontaneous ideas and images surface, which I then transform into visual stories. My work involves a lot of introspection as I explore themes like societal expectations, emotional vulnerability, and the absurdities we all face in life. Each painting feels like a moment of confrontation but also liberation, a chance to express emotions I’ve been holding onto.

Stylistically, I love combining figurative realism with surreal elements, allowing me to play with the boundaries between control and chaos. I use oil paints to build layers that reflect the complexity of these ideas. Lately, I’ve been incorporating themes of female identity merging with animal forms to symbolize primal instincts and transformation.

At the core, my art is very personal. It’s a space where I can reveal my own vulnerabilities and challenge societal norms, inviting viewers into an intimate conversation about identity and self-expression.” 

 

Meera Dinh sits on a chair inside her studio. Meera has long black hair and is wearing blue jeans and a black and brown floral tank top. Beside her is a large easel holding a circular canvas. Behind her are drawings posted to the walls. The large window in her studio looks out to a cityscape. Books rest on the windowsill.

 

“Since moving into my Akin Richmond-Bathurst studio, I feel incredibly fortunate to have found such an inspiring space. Located in the heart of Toronto’s most artistic area, the studio is everything I could have hoped for as a painter—housed in a charming brick building with serene views and surrounded by a vibrant community of talented artists. This environment has pushed my practice forward, allowing me to learn from others and grow in ways I hadn’t anticipated. It feels like the ultimate artist’s dream space, a sanctuary where creativity thrives.

This studio has given me the solid foundation to continue my artistic journey beyond graduation. It’s more than just a workspace; receiving this space has been a life-changing award. It’s given me the confidence that I’m on the right path and reminds me to keep going, no matter the challenges. The opportunity to work here has been a significant turning point, motivating me to push my work further and explore new directions.

I’m currently preparing for a group show at Remote Gallery with Ellie Hsu and Ariadna Mavila de la Rosa. Our exhibition, which will take place either later this year or early next year, explores the theme of female identity merging with animal forms. It’s a deeply personal project for me, and the space has given me the room to fully explore these ideas through oil painting, my primary medium. It has allowed me to experiment with new techniques and materials, bringing these concepts to life in ways I hadn’t imagined.

In addition to the upcoming show, I’ve also been applying for exhibitions and residencies. Thanks to this studio, I can develop new works and expand my portfolio in ways that will sustain my practice for years to come.”

 

Meera Dinh sits on a chair inside her studio. Meera has long black hair and is wearing blue jeans and a black and brown floral tank top. Beside her is a large easel holding a circular canvas. Behind her are drawings posted to the walls. The large window in her studio looks out to a cityscape. Books rest on the windowsill.

 


“My creative process often begins in brief moments of detachment, where I drift away from the present reality. During these times, vivid and symbolic images emerge deep within my subconscious—like seeing myself on a steak plate or catching a distorted reflection of myself in the mud at a TTC subway station. These metaphorical visions communicate with me in ways I don’t fully understand, but I can sense their emotional weight.

When these images surface, I instinctively sketch them in my notebook without overthinking, almost like a child doodling. After this initial sketching, I take photos of myself as a reference for the paintings, using my own body to capture the forms and poses I want to explore further. At this stage, I feel the intensity of the images, though their meaning is still elusive. From there, I move into painting, which allows me to spend long periods with these images, slowly unravelling their deeper significance. Immersing myself in the painting process—often for hours—I engage with the forms I’ve created until their meaning becomes clearer. Along the way, I also research the themes and symbols that arise, drawing from journaling, music, poetry, philosophy, and literature that delve into the space between conscious thought and intuition. Inspiration often strikes when I’m in this liminal space, exploring and observing the images as they evolve. Through this process, my art starts to reveal naked truths I often hide behind the everyday roles and performances of life. In many ways, my art understands me better than I understand myself, and through it, I discover deeper layers of my identity.

Additionally, my cats, Bob and Moxie, are a huge motivation source for me. I always keep their picture in my studio; whenever I feel down or exhausted, looking at them lifts my spirits and reminds me to keep going.” 

Find more of Meera’s work here

Chris Gardiner’s Three Favourite Things about being a member at Akin Niagara!

Akin Niagara
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We took some time to chat with Akin Member Chris Gardiner about our newest West-End location, Akin Niagara. Continue reading below to find out Chris’ three fabourite things about being a member:

1. The enormous potential the outdoor space has. There seems to be room outside for almost anything: outdoor sculpture, plaster casting, working on a large canvas, using smelly solvents, cooking encaustic, spraying, pouring, etc. Safe outdoor use for Acrylic Paint: 1.7 degrees to 37.8 degrees Celsius!

Image Description: Outdoor patio with table and umbrella in the center, bbq in the back left and benches and window to the right.

2. The nearby area. It’s vibrant. There’s always a lot of energy, and things to see. I am also close to art supplies stores, hardware, groceries, etc. 

 

3. Torin the Studio Manager. He's very friendly, and good at bringing us together as a community of artists. He's one of those magnetic personalities that you like to be around. I'm also a big fan of musicians that go through art schools. 

Image Description: Image of the facade of the building that Akin Niagara resides in. It is a 5-storey building red brick on the right side and covered in white concrete on the left side. The photos os taken in spring so there are many green trees. a teal blue graphic border surrounds the photo with graphic pops if pink. The Akin logo live atop the image and the words “Akin Niagara!” sit below.

Chris’s studio at Akin Niagara

Image Description: Chris’s studio at Akin Niagara features a grey chair positioned against the left wall, beneath a thin shelf. The walls to the left and back are adorned with several paintings. 

Chris Gardiner’s two-dimensional work combines elements of Geometric Abstraction, Neo-Dada, and Art Informel. Whether he focuses on a process of drawing that emphasizes spontaneous/gestural qualities of the artistic process; collage that creates unexpected juxtapositions, a sense of irony, or a disruption of the viewers' expectations; or in painting where precise shapes and forms are arranged in deliberate and structured ways. Gardiner’s work challenges viewers to question their assumptions about the nature of art, and invites them to engage with the work in unexpected and thought-provoking ways. In metaphorical terms it’s Free Jazz meets Professional Wrestling.

See more of Chris’s work at www.chrisgardinerart.net and @gardinerartdotnet

Chris’s paintings in his studio at Akin Niagara

Image Description: Several paintings hanging in Chris’s studio made of black, white or red lines.

Chris Gardiner, Bars and Toner 2023, Oil on Canvas, 32"x42"


Image Description: Painting with multiple vertical black and white bars, one small red horizontal bar in the lower right hand corner and several red strokes in the top left hand corner.

Akin Niagara is located at 289 Niagara Street just south of Queen Street West and in close proximity to Trinity Bellwoods Park. Akin Niagara features rooms with large windows which get ambient daylight and an outdoor patio space exclusively for Akin Niagara members’ use.

All memberships include taxes, 24/7 access, wifi, utilities, insurance, shared storage facilities, restroom and kitchen access, communal workspaces, common area cleaning, connection to a community of artists and more!

  • Shared Memberships: $78/month
    • Access to shared working areas and storage

  •  Dedicated Memberships (your own studio):
    • Private and semi-private options
    • Sizes range from 40 sqft at $252 per month to 117 sqft for $551 per month. 

Visit www.akin.art for more info.
Link in Bio to view all currently available studios.

Contact us at info@akincollective.com to book a studio tour!

HELIO EUDORO, Invisible at Remote Gallery

REMOTE GALLERY
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Helio Eudoro
Invisible
May 23 - June 2 at Remote Gallery

Image Description: A colour photograph of a person holding a large bundle of balloons obfuscating their face. They are standing on small rocks next to a large bolder by a body of water with trees and a sailboat in the background.

Solo Exhibition and Book Launch

Opening Reception: Thursday May 23, 6 - 9pm

Gallery Hours: Mon - Sun: 10am - 6pm

Invisible is a photographic visual essay by Helio Eudoro. Through self-portraiture and collaborations, the artist explores the complex layers of visibility and forms of cultural exclusion through the lens of sexuality, body image, diaspora and aging.

Helio Eudoro is a Brazilian-Canadian multidisciplinary artist based in Toronto. He holds a BFA (Hons.) in Sculpture and Installation from OCAD University (2022). His work explores the intersection of identity, gender, sexuality, diaspora, and aging. Eudoro's art investigates themes of possessions, waste, and the cycle of mindless ownership, seeking to spark dialogues that challenge our understanding of body and identities, as well as material systems and their impact on consumption and disposal habits. He has received several grants and awards, including the 2022 OCADU Carmen Lamanna Award and the 2020 RBC Newcomer Arts Award. Eudoro's artwork has been exhibited in galleries and museums across Canada and Brazil, including the Art Museum at the University of Toronto in 2023 and ArtworxTO in 2022. His art is featured in collections such as the Museu de Arte Moderna da Bahia and the Museu de Arte Contemporânea of Rio Grande do Sul in Brazil.

Helio is a 2023 Space Award Winner. The Newcomer Space Award is a partnership between Toronto Arts Foundation’s Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.

Learn more about Helio’s work at @helioeudoro, @nada_is_nothing and helio-eudoro.format.com

Remote Gallery, 568 Richmond St W, Toronto, ON M5V 1Y9

 

FUNDING PROVIDED BY

 
 

The Newcomer Space Award is made possible with the support of RBC.